WWJD 1.2

It is, I suppose, time to ‘put up or shut up.’

Reader thrig, of the blog Anthropocene Daze—and what a delicious title that is, by the way—is the sole respondent so far to the challenge of “What Would Johann Do?”  I need to emulate him, and ‘show my work.’

Thrig posted the following harmonization of the melody given in the first post in this series:


It’s got a few modern features—notably the way the bass and alto step away from the dominant at the final cadence, creating what ‘looks like’ a vii half-diminished four-three.  But as the realization posted at AD serves to document, it’s musically quite serviceable, and the ‘modernisms’ come across as relatively subtle alterations of, or departures from, a predominantly 18th-century style.

There are one or two things a little out of the ordinary in my stab at this, too.  Probably the most notable is the use of a ‘retardation’—an inverted (that is, upward-resolving) suspension—in the 3rd complete measure.  While this is an idiom that’s taught in theory class, I don’t personally recall noticing it in an actual Bach chorale.

WWJD I 1.2

The musical strategy is relatively simple to describe:  the first five beats prolong tonic, using a IV-V progression in first inversion.  This is followed by a bass arpeggiation of the subdominant, leading to the structural dominant at the fermata in measure 4.  The bass then recapitulates the descent from tonic to dominant, the dominant being prolonged by a textbook cadential six-four chord in measure 6.

I’ll admit to having been a bit proud of this, as I contemplated it when ‘freshly pressed.’  The bass seemed to me well-designed and coherent, with the arrival of the dominant caesura effective, and the following descent logical, even compelling.

And actually, I still think it’s pretty good.  If you’d like to check out a musical realization, you can hear a faux organ version here:

But–you should see what Johann did!

And you will, with the final post in this installment of WWJD I.  (That’ll be coming your way in a week or so, right here in this space.)

In the mean time, would anyone care to join thrig and I in the “WWJD challenge?”  If so, just post your harmonization in a comment or an email.  You could even email me a cell phone shot of a napkin jotting, if you really want to go all Schoenberg on me.  Just go to my website, ispeakmusic.com.